NEWS

 

Welcome to my website.  In the future this section will be devoted to letting you know what is happening in the blues world of Nora Jean.  I would like to begin this section by telling you a little about me and my music.   I would also like to tell you what has been happening lately.

It was only a few years ago that I began my come back to the blues.  I toured the world with the Jimmy Dawkins band in the mid-eighties and the early nineties, but gave up life in the blues fast lane to raise my two boys.  I am happy to tell you that they have now grown in fine young men.

My first CD, “Nora Jean Bruso Sings the Blues,” has exceeded my greatest expectations.  It started out as a way to get me back into the blues world.  I asked some of my oldest and closest friends in the business to help me with it, and everyone involved with the CD put their heart and soul into the project.  My CD ended up on Living Blues radio charts for many months, and made its way to the top of XM Radio’s play lists.  At the end of 2003, it made lists of the top blues CDs of the year all across the country, including the top 10 list on my hometown Public Radio Station, WBEZ in Chicago.  In early 2004, Chicago’s Museum of Science and Industry named me one of the ten great women in Chicago Blues, and, in a sentence that took my breath away, wrote, “There is talk of Nora Jean as the next Queen of the Blues.”

There is something that I want to tell you about my first CD.  My first CD is about my musical influences.  I wanted to let everyone know where my heart belongs musically.  The four Howlin’ Wolf songs on the CD were the first songs I heard my father sing when I was a child.  The first song I ever sang was “Howlin’ for my Darling.”  I was only four or five at the time. I put these songs on my CD with love and respect for my father, Bobby Lee Wallace, and my mother, Ida Lee Wallace.  They worked harder than I can tell you to raise their sixteen children, of which I am the seventh child.  I was born in Greenwood, Mississippi and grew up on the Equen Plantation, which is located on Highway 49 about halfway between Greenwood and Clarksdale.  My family worked in the cotton fields during the week and sang the blues on the weekends.  The sounds I heard at my grandmother’s Juke House every Friday and Saturday night are still in my mind.  I sang about them in the song, “Miss Mae’s Juke Joint,” on my second CD, “Going Back to Mississippi,” (Severn, 2004).  These are the sounds I will sing as long as God wills it so.

Most of the rest of my first CD is filled with two types of songs.  The first is songs that comprise the other half of my musical heritage: the blues of the West Side of Chicago, where I settled for over twenty-five years after moving to Chicago from Mississippi.  The song “Can’t Shake These Blues,” which I sang with my mentor, Jimmy Dawkins, and two Magic Sam Songs, “All Your Love,” and “He Belongs To Me,” represent the raw West side sound that is as much a part of my music as my Mississippi roots.  The second type is songs that I have performed regularly in my shows over the years, and fans have come to expect me to sing and get upset when I don’t.  I wanted to make them available for my fans.  The songs, “When You Leave Don’t Take Nothing,” “If That’s What You Wanna’ Do,” Member’s Only,” “It Makes Me So Mad,” and Big Boss Man,” fall into this category.

The remaining four songs on the CD have special stories.  The second song, “I’m Leaving You,” was written by Eddie Shaw as a wedding present for my former husband and I.  The fifth song, “Doin’ the Shout,” was included because John Lee Hooker is one of my all time favorite bluesmen and I couldn’t conceive of leaving him off a CD about my influences.  I made the decision to include this particular song while listening to his greatest hits in the car on the way to the first day of recording for the CD.  The seventh song, “Untrue Lover,” was the first song I ever wrote.  It was released as a single in 1985 on Jimmy Dawkins’ Leric Label.  I was never satisfied with how it turned out because I did not think it was bluesy enough.  I always wanted to re-record the song as I heard it in my mind.  It took me nearly twenty years, but I finally did.  Finally, there is the eighth song, “I’d Rather Go Blind.”  This Etta James classic, covered so well by Koko Taylor, was sung as homage to the great ladies of the blues.  I sang this song with love and respect for all the women of the blues who blazed the path on which I walk every day of my life.

Without question, the two greatest female influences on my singing have been Mahalia Jackson, the greatest gospel singer of all time, and Koko Taylor.  I first saw Mahalia sing in the movie, “Imitation of Life,” when I was a teenager.  I have sought to pattern my singing after her ever since.  My greatest female influence in the blues is Koko Taylor.  Koko sings the type of blues I love and I often perform several of her songs live.  Koko is an incredibly classy lady, and one of the kindest, nicest, and most genuine people in the music business.   Everything about her—from her incredible gowns to the time she dedicates to helping others—is worth emulating.  I am honored to call Koko my mentor and my friend.  She is a truly wonderful person.

Sometimes I wonder where the blues is going today.  With both of my first two CDs I wanted you to know where I am going.  Call it traditional blues, hard blues, old school blues, whatever you like, it is my blues and I love it.  The only other music I love as much is gospel. On any given night you may hear me throw some Tina Turner or Tracy Chapman into my show depending on the audience. I have even been known to perform a rap song called “Superstar,” that my oldest son wrote for me when I have an audience of mainly young people.  But I always begin and end with the blues.  It is my passion and my calling to try to keep this great music alive.

 feel privileged to sing the music that is my heritage for you.  The artistic achievements of my ancestors are not only one of their greatest contributions to America, but also one of America’s greatest contributions to the world  The blues is great American music and God willing I will be singing it for you for many, many years to come.

Summer 2004

One of the biggest challenges I have faced since I began my comeback to the blues has been balancing the demands of producing and distributing a record with a hectic performing schedule.  Quite honestly, at times the work involved has been overwhelming.  This leads to my blockbuster news for the summer of 2004. I have signed a multi-record recording contract with Severn Records, an excellent roots label located in Maryland.  There is more good news.  I have spent much of the last several months working on my first recording for Severn titled, “Going Back to Mississippi.”  It will be released in September of 2004, but advance copies will be ready in August.

I am very excited about my new record.  The biggest departure from my first record is that I wrote every song on this record.  Also, Rob Waters, my producer, co-wrote two of the songs with me, “I’ve Got Two Men,” and “Tearful Blues.”  (He wrote the music and I wrote the lyrics. On “Two Men,” my friend Ora Murray contributed some lyrics as well.)  These songs represent a departure from anything I have tried to sing before.  “Two Men” is a rumba, and “Tearful Blues,” is a jazz-blues composition.  I worked with great jazz-blues guitarist Dave Specter on both of these songs. I am very pleased with the results and hope you will be too.

The rest of the record contains songs about my Mississippi roots.  If you look at the liner notes you can see a picture of the actual sign for the Equen Plantation where I grew up.  I took this picture late this spring when I visited my mother who still lives close by.  Another tie to my native state is that two of the guitarists on the record, Carl Weathersby and Jimmie Jacobs (Carl’s cousin), are also native Mississippians.  Most of the songs are straight ahead blues, but two of the songs, “Broken Heart,” and “Another Part of “You,” represent the soul-blues tradition that was a part of my teenage years.  Just so you know, “my baby” in the song “Going Back to Mississippi,” is the blues.

I debuted several of the songs off my new record at the Chicago Blues Festival in on June 11, 2004.  On July 24, I will be performing at the Pocono Blues Festival in Pennsylvania, and I look forward to singing my new songs.

The blues is alive and well and I am glad to be a part of it.  I thank you for visiting my website and hope you will check back often.  There are many exciting things going on and this is where to find out about them.  God Bless You.

 

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